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I want to steal this, it is so beautiful. There are not so many things, which can incite me to commit crimes
Mark - Legio Leonum Valentiniani
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Phil.
Thank you very much for the compliments and now when I look at the finished job what can I say but fantastic, and indeed my very best compliments to Jimmy for this is just the start he certainly has a gift and this is as good as anyone will find in the market place.
Brian Stobbs
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All I can say is WOW! If that is a first attempt... What will the second one be? I have seen companies on the Internet advertise an item as "Museum Quality" we'll this piece truly is in my opinion... A work of art! Did you also make the fastening loops?
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Excellent work. Are the suspension rings cast, or tooled?
M. Demetrius Abicio
(David Wills)
Saepe veritas est dura.
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A thing of beauty is a joy forever! What a skill to have - very impressive.
Moi Watson
Life should NOT be a journey to the grave with the intention of arriving safely in an attractive and well preserved body, but rather to skid in sideways, Merlot in one hand, Cigar in the other; body thoroughly used up, totally worn out, and screaming "WOO HOO, what a ride!
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Thank you all for your kind words, I'll pass them on to my friend.
Yes David the suspension rings are tooled.....all hand made.
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Very much more impressive that they all look identical to the eye, based on the one photograph.
Astonishing work. How many hours involved in the scabbard?
How about some details about how the blade and hilt were constructed.
M. Demetrius Abicio
(David Wills)
Saepe veritas est dura.
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No worries David, I'll post some details on the construction ok.
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Great stuff! Thanks!
Did you make a negative form (like a socket, sort of) to bend the brass grip into, or was it formed around the handle of the pugio?
M. Demetrius Abicio
(David Wills)
Saepe veritas est dura.
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The jig for producing the handle pieces is one made by Phil's friend and it does show just how much lighter a Pugio handle should be for it becomes semi-hollow, the blade of course can be ripped out with the method shown that gives the central rib to it.
The original rib on daggers may well have been made where the smith would have hammered the hot blade over a groove in a metal block, then when reversed the two halves of the blade would be also hammered down to produce the other rib. It may well be the reason why we find that on many blades thes ribs are offset from one another.
The type of small tang reflects the tang as seen on many daggers that have been found and is a type that I have used now for many years, the rest of the handle being of wood or indeed bone or horn.
If the handle is put together very neat and flush it only needs at times one rivet to hold it onto the blade, or indeed another two rivets can be put through the shoulders of the blade if one needs it to be more secure.
Brian Stobbs
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David, the solid handle in the middle presses a sheet of brass through the jig to form the (handle shell if you like). Like a die set. Thanks Brian for the above explanation.
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As Phil has explained the solid bronze block which has a heavy T shaped piece braised onto it at the back is hammered down into the thick jig plate and creates the hollow handle, this handle has then to have the brass cut away from it and tidied up and is a match to the next one made. Then even with a complete solid tang to the blade it is still much lighter than cast solid bronze hand grips.
Brian Stobbs
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That is sort of what I'd imagined. Thanks for the explanation. Using that technique, one could make quite a number of pugio handles in the time it would take to repousse just one.
M. Demetrius Abicio
(David Wills)
Saepe veritas est dura.