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A relief from Rome
#1
This photo I made in Rome. It shows foreign weapons, shields, helmets, and so on. No doubt it was conquered by the Romans in some northern war. Can anyone offer a date for the weapons? Who may have been the enemy?
Jona Lendering
Relevance is the enemy of history
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#2
That´s a tough one.
The swords (and some of the shield forms shields) suggest it is AD /post Augustan
The rest of the equipment is almost impossible to date accurately, IMO (shields, helmet)

By technique and execution, especially with the use of drills for the holes, however, a dating to the late Antonine or to the Severian period is possible, for which also the presence of the dolphin on one of the shields, and the emboosed helmet could speak - not exclusive however, since the technique was used earlier already, see Louvre-Praetorian relief helmets, and dolphins are seen earlier as well (e.g.Mainz pedestals), so are embossed helmets... ^^
For all we know the Roman art was very archaizing, so the best method is to go by style & execution, anyway.
Christian K.

No reconstruendum => No reconstruction.

Ut desint vires, tamen est laudanda voluntas.
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#3
Someone else any idea?
Jona Lendering
Relevance is the enemy of history
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#4
Did they ever bulid monuments for the civil wars? Almost look like roman weapons, such as the gladius pommels and the helmet...
Visne partem mei capere? Comminus agamus! * Me semper rogo, Quid faceret Iulius Caesar? * Confidence is a good thing! Overconfidence is too much of a good thing.
[b]Legio XIIII GMV. (Q. Magivs)RMRS Remember Atuatuca! Vengence will be ours!
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Byron Angel
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#5
To my unscientific eye the equipment has a "dacian flavour" :?: ...
Virilis / Jyrki Halme
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#6
Some of it yes, maybe? But that broken shield on the left looks, to my unscientific eye, like a Roman scutum.....
Visne partem mei capere? Comminus agamus! * Me semper rogo, Quid faceret Iulius Caesar? * Confidence is a good thing! Overconfidence is too much of a good thing.
[b]Legio XIIII GMV. (Q. Magivs)RMRS Remember Atuatuca! Vengence will be ours!
Titus Flavius Germanus
Batavian Coh I
Byron Angel
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#7
The main work to consult in matters of Roman weapons friezes is Eugenio Polito, Fulgentibus Armis. Introduzione allo studio dei fregi d’armi antichi, (“L’Erma” di Bretschneider: Rome, 1998). Consulting this work, I came across a frieze which is very similar in nature and style to this one, which is from the funerary altar of Falerii Novi, now at Potsdam. It features copious use of drill holes like this example, and just as Christian suggests, it is dated to late Antonine or Severan times.

From late Republican times weapons friezes appear which feature an odd mixture of enemy, Roman, fantastical, archaic, and even gladiatorial arms, and this is a late example of just such a frieze. Note the Roman arms, like the gladius, and the both archaic and Roman popanum shield, both of which are common in such friezes. Highly stylized Hellenistic helmets, double-headed axes, and Amazonian peltae are all normally found in such scenes as well, which of course makes it very difficult to discern the real arms from the fantastical, let alone the stylized from the realistic, the barbarian from the Roman, and the old from the new!
Ruben

He had with him the selfsame rifle you see with him now, all mounted in german silver and the name that he\'d give it set with silver wire under the checkpiece in latin: Et In Arcadia Ego. Common enough for a man to name his gun. His is the first and only ever I seen with an inscription from the classics. - Cormac McCarthy, Blood Meridian
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#8
I have deliberately not told the place where this relief was found, because that would probably have influenced your judgment. However, you confirm the doubts that I have about this relief, which is supposed to be Flavian, and was found in the imperial audience hall at the Palatine.

I suspected there was something wrong with it, but could not really express what it was that intrigued me; there is some consensus here that it is Antonine, and some of you mention the drilled holes as one criterium, and point at the more or less ahistorical nature of the arms, which again points to the second century, which saw Archaism as a literary style.

Thanks all!
Jona Lendering
Relevance is the enemy of history
My website
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#9
Your attempt to disguise the origin of this piece was not as successful as you may have hoped, Jona ! :wink:

Anyone clicking on the photo could see the title:
"Rome_Palatine_Domus_Flavia_Aula_Regia_frieze2".........

I would agree with the consensus here that it is most likely late Antonine or later, judging by style and subject matter. Of course the Palatine Imperial palace was added to, and modified over time -possibly by every Emperor who occupied it - so that it would not be unusual to find such a piece in that location.
"dulce et decorum est pro patria mori " - Horace
(It is a sweet and proper thing to die for ones country)

"No son-of-a-bitch ever won a war by dying for his country. He won it by making the other poor dumb bastard die for his country" - George C Scott as General George S. Patton
Paul McDonnell-Staff
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#10
Quote:Of course the Palatine Imperial palace was added to, and modified over time - possibly by every Emperor who occupied it - so that it would not be unusual to find such a piece in that location.
Exactly!
Jona Lendering
Relevance is the enemy of history
My website
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